MOUNTAIN/CAVE/PALACE/TEMPLE: BUDDHIST ROCK-CUT ARCHITECTURE IN WESTERN DECCAN

MOUNTAIN/CAVE/PALACE/TEMPLE: BUDDHIST ROCK-CUT ARCHITECTURE IN WESTERN DECCAN

  • 16 Aug
    2023

    The Indian Temple

    Pia Brancaccio

MOUNTAIN/CAVE/PALACE/TEMPLE: BUDDHIST ROCK-CUT ARCHITECTURE IN WESTERN DECCAN

Image:Bedsa cave. Photo Courtesy: Dr. Pia Brancaccio

The lecture will examine the distinctive architectural features of Buddhist cave temples situated on the western edge of the Deccan Plateau. Through a re-examination of architectural, artistic and epigraphic evidence extant at the caves, the lecture will explore the key concepts that inspired the architectural design of the caves and will show how the natural milieu was integral to the conception of these rock-cut temples.

 

This Lecture is part of the Postgraduate THE INDIAN TEMPLE Course 
Registration Fee for the course: Rs. 16,000 | Students: Rs. 8,000*.

For registration kindly visit: https://www.jp-india.org/courses/the-indian-temples

*For Student discount please email us at info@jp-india.org a copy of your valid Student ID Card. We will upon verificaton provide our bank details so that the course fees can be transferred. After making the transfer, please email all details of the transfer to us. 

Please read the Terms and Conditions carefully before registering

Duration -

August 16, 2023

Timing: 6:30 - 8:45 pm IST

Registrations Closed

Pia Brancaccio

Pia Brancaccio

Pia Brancaccio is Professor in the Department of Art and Art History at Drexel University in Philadelphia, USA. Her research focuses on early Buddhist art and cross-cultural exchange in South Asia with a regional emphasis on the visual cultures of the Deccan Plateau and ancient Gandhara. She has published extensively on the Buddhist caves in Western Deccan, including a monograph on The Buddhist Caves at Aurangabad (2010) and the edited volume Living Rock (2013), and has recently expanded her interests to ancient Sri Lanka and the Indian Ocean exchange networks. Pia has also written on architecture, visual narratives, artistic workshops and the multicultural fabric of Buddhism in Gandhara, and co-edited the book Gandharan Buddhism: Art, Archaeology (2006). She is currently involved in a research project on Ancient Buddhism in Konkan.